Recently the Carnatic classical vocalist T M Krishna has been conferred the Sangita Kalanidhi award, the most prestigious recognition in Carnatic music by the Madras Music Academy.
There are 4 vedas namely the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda.
Key aspects |
Hindustani music |
Carnatic music |
Origin |
The origins of Hindustani classical music can be traced back to ancient India, where it evolved from the sacred music of Hindu temples |
It is comparatively pure, formed during the Bhakti movement in the 15th and 16th centuries, and gained popularity in the 19th and 20th centuries. |
Prevalence |
North India |
South India |
Total Ragas |
6 |
72 |
Scale |
It adopted a scale of Shudha Swara Saptaka or the ‘Octave of Natural Notes’ |
The Carnatic branch creates music that is played in the traditional octave |
Main Instruments |
Veena, Mridangam and Mandolin |
Tabla, Sarangi, Sitar and Santoor |
Influence |
Afghan, Persian, and Arab |
Indigenous |
Total Sub-Styles |
There are several sub-styles which lead to emergence of ‘Gharanas’. |
Only one particular prescribed style of singing. |
Improvisation |
Open to experimenting with variations and improvisation |
Improvisation is restricted |
Gharana system |
It is specific to Hindustani music characterized by distinct music styles. |
The emphasis is on learning and interpreting the compositions rather than adhering to a particular style associated with a family or lineage. |
Need of Instrument |
Instruments equally important as vocals |
Vocal is more important than Instrument |
Similarity |
Flute and Violin |
He is widely recognised as ‘Grandfather of Telugu Song-writing’.
Madras Music Academy |
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